The Hollywood Reporter

The all-new Hollywood Reporter offers unprecedented access to the people, studios, networks and agencies that create the magic in Hollywood. Published weekly, the oversized format includes exceptional photography and rich features.

Is the Emmy Comedy Category Finally Funny Again? • While The Bear’s sophomore season is a major frontrunner in the best comedy series race, the FX/Hulu dramedy faces stiff competition from joke-heavy contenders

Yes, I Did Say That! • Who’s saying what in the Emmy race

Hacks’ Kaitlin Olson • After earning a guest actress Emmy nom for the Max series, she returns with a scene-stealing comedy routine that brings her character’s inner angsty teenager to the stage

‘In Command of the Jankiness’ • How Tom Eagles — who edited I’m a Virgo alongside Saira Haider — brought Boots Riley’s story about a 13-foot-tall Black man in Oakland to the small screen

Mid-Century Suits Maketh the Man • The costume designers of The New Look, Fellow Travelers and Palm Royale home in on the series’ most character-building and -revealing menswear

How to Nail a Post-Nuclear War America • VFX supervisor Jay Worth on saying yes to more special effects in Fallout while keeping the video game-adapted drama grounded in reality

SOUNDS LIKE A CON • Sound designer and rerecording mixer Larry Zipf on the sonic elements that breathe new life into a familiar tale in Netflix’s Ripley

A Set Within a Set • Production designers talk re-creating network television shows within the worlds of three popular dramas

‘I’m Constantly Chasing After Wigs’ • Sean Flanigan, hairstyling department head for The Gilded Age, reveals what it takes to create the HBO series’ period-true ’dos

A MAKE-UNDER FIT FOR A COLOMBIAN DRUG LORD • Paint, prosthetics and a yellowing of her pearly whites turned Sofía Vergara into the infamous Griselda Blanco

Two Familial Legends • Palm Royale director Stephanie Laing on Laura and Bruce Dern uniting onscreen

Shogun Crafted a Rich, Unrivaled Look at 1600s Japan