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The Hollywood Reporter

Awards Special 16B - June 3, 2024
Magazine

The all-new Hollywood Reporter offers unprecedented access to the people, studios, networks and agencies that create the magic in Hollywood. Published weekly, the oversized format includes exceptional photography and rich features.

The Day I Became the Lucky One • It was one thing to write of my family’s Holocaust experience in We Were the Lucky Ones. Entrusting it to Hollywood was another. Then Tommy Kail called

Yes, I Did Say That! • Who’s saying what in the Emmys race

Carla Gugino • The actress discusses her latest collaboration with rising horror auteur Mike Flanagan, The Fall of the House of Usher, plus her supporting role on the now-canceled journalism dramedy Girls on the Bus

Your Emmy Reading List • Some of this season’s biggest hits started as best-sellers. Here, we take you straight to the source material

One Final(e) Twist for Elsbeth • Jonathan Tolins reveals how switching up the series’ ‘howdunit’ structure in its finale brought about a satisfying (and legally concerning) end to its first season

‘It Was Chaos … Quite Surreal’ • Richard Gadd, the creator, executive producer and award-winning performer behind Netflix’s newly minted No. 1 series, on failure and becoming a global sensation: ‘I feel like I’m going to wake up one day and it’s all been a dream’

The Art of Personation • Khalid Abdalla (The Crown), Tom Hollander (Feud: Capote vs. The Swans), Ben Mendelsohn (The New Look) and Rufus Sewell (Scoop) on how they prepared to portray real people — some of whom are still alive

ABBOTT ELEMENTARY’S CHRIS PERFETTI FOR THE WIN • The actor — who’s still amazed at having consistent employment after years in the theater — on things finally looking up for his character Jacob Hill

When the Director Pulls Out Figurines at the First Meeting • Jharrel Jerome on pushing past intimidation to take on the largest role of his career: a 13-foot-tall Oakland teen in Boots Riley’s I’m a Virgo

Practically the Perfect Storm • Shogun’s cinematographer on the special effects that brought a sea disaster to life

Kelsey Grammer Won His First Emmy 30 Years Ago


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Frequency: Weekly Pages: 28 Publisher: Penske Media Corporation Edition: Awards Special 16B - June 3, 2024

OverDrive Magazine

  • Release date: June 3, 2024

Formats

OverDrive Magazine

Languages

English

The all-new Hollywood Reporter offers unprecedented access to the people, studios, networks and agencies that create the magic in Hollywood. Published weekly, the oversized format includes exceptional photography and rich features.

The Day I Became the Lucky One • It was one thing to write of my family’s Holocaust experience in We Were the Lucky Ones. Entrusting it to Hollywood was another. Then Tommy Kail called

Yes, I Did Say That! • Who’s saying what in the Emmys race

Carla Gugino • The actress discusses her latest collaboration with rising horror auteur Mike Flanagan, The Fall of the House of Usher, plus her supporting role on the now-canceled journalism dramedy Girls on the Bus

Your Emmy Reading List • Some of this season’s biggest hits started as best-sellers. Here, we take you straight to the source material

One Final(e) Twist for Elsbeth • Jonathan Tolins reveals how switching up the series’ ‘howdunit’ structure in its finale brought about a satisfying (and legally concerning) end to its first season

‘It Was Chaos … Quite Surreal’ • Richard Gadd, the creator, executive producer and award-winning performer behind Netflix’s newly minted No. 1 series, on failure and becoming a global sensation: ‘I feel like I’m going to wake up one day and it’s all been a dream’

The Art of Personation • Khalid Abdalla (The Crown), Tom Hollander (Feud: Capote vs. The Swans), Ben Mendelsohn (The New Look) and Rufus Sewell (Scoop) on how they prepared to portray real people — some of whom are still alive

ABBOTT ELEMENTARY’S CHRIS PERFETTI FOR THE WIN • The actor — who’s still amazed at having consistent employment after years in the theater — on things finally looking up for his character Jacob Hill

When the Director Pulls Out Figurines at the First Meeting • Jharrel Jerome on pushing past intimidation to take on the largest role of his career: a 13-foot-tall Oakland teen in Boots Riley’s I’m a Virgo

Practically the Perfect Storm • Shogun’s cinematographer on the special effects that brought a sea disaster to life

Kelsey Grammer Won His First Emmy 30 Years Ago


Expand title description text