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The Ruin of Kasch

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2 of 2 copies available
2 of 2 copies available
An "erudite" translation of a classic work on violence and revolution as seen through mythology and art offers "unsettling observations on civilization" (Kirkus Reviews).
The Ruin of Kasch takes up two subjects—"the first is Talleyrand, and the second is everything else," wrote Italo Calvino when the book first appeared in 1983. Hailed as one of those rare books that persuade us to see our entire civilization in a new light, its guide is the French statesman Charles-Maurice de Talleyrand, who knew the secrets of the ancien régime and all that came after, and was able to adapt the notion of "legitimacy" to the modern age. Roberto Calasso follows him through a vast gallery of scenes set immediately before and after the French Revolution, making occasional forays backward and forward in time, from Vedic India to the porticoes of the Palais-Royal and to the killing fields of Pol Pot, with appearances by Goethe and Marie Antoinette, Napoleon and Marx, Walter Benjamin and Chateaubriand. At the center stands the story of the ruin of Kasch, a legendary kingdom based on the ritual killing of the king and emblematic of the ruin of ancient and modern regimes.
Offered here in a new translation by Richard Dixon, The Ruin of Kasch is, as John Banville wrote, "a great fat jewel-box of a book, gleaming with obscure treasures."
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    • Kirkus

      October 1, 2017
      A fragmented, meditative inquiry into sacrifice, revolution, and modernity.Published in Italy in 1983, and in English translation in 1994, this allusive compendium is the first book of a series by Adelphi Edizioni publisher Calasso (The Art of the Publisher, 2015, etc.), all published in the 1990s, that includes philosophical and literary excursions into Greek myth, Kafka, Indian religious texts, and Baudelaire, circling the same themes: the meaning of sacred ritual, the nature of authority, and the culture of modernity. A new translation by Dixon introduces Calasso to a generation possibly unfamiliar with the earlier volumes. The author takes his title from a legend of an African kingdom where kings were ritually sacrificed by order of the priests until one ruler finds a storyteller so mesmerizing that the priests fall under his spell. The end of the sacrificial ritual, though, proves the downfall of the kingdom. Sacrifice, Calasso concludes, "is the cause of ruin," but also, "the absence of sacrifice is the cause of ruin." Society itself "is the ruin because it reverberates the sound of the world, its incessant devouring whirr." Throughout the book, baffling expressions contrast with lucid judgments, such as the author's remark that history "can be summed up as follows: for a long time men killed other beings, dedicating them to an invisible object; and then, from a certain point they killed without dedicating this act to anyone." Only killing itself remains. Calasso is critical of modernity, peopled, he maintains, by nonbelievers who "deny the existence of anything supernatural. These include the harshest bigots." Karl Marx ("a prisoner of the Enemy he is attacking"), Nietzsche, Freud, Goethe, Pascal, Levi-Strauss, and assorted French modernists appear among a huge cast of literary and political figures whose writings and opinions Calasso juxtaposes and glosses. Serving as a guide through the thorny landscape of cultural transition is Charles-Maurice de Talleyrand (1754-1838), the wily statesman and diplomat influential during and after the French Revolution.Challenging, erudite, and unsettling observations on civilization and its plethora of discontents.

      COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.

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