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Standing in the Forest of Being Alive

ebook
1 of 1 copy available
1 of 1 copy available
Standing in the Forest of Being Alive is a memoir-in-poems that reckons with erotic love even as the narrator is diagnosed and treated for breast cancer at the age of thirty-six during a time of pandemic and political upheaval. With humor and honesty, the book portrays both the pleasures and the horrors of the lover, the citizen, and the medical subject. How can we find, in the midst of hell, what isn't hell? And whom can we tell how much we want to live? An intimate, hilarious and devastating look into some of the most private moments of a life—even if they happen to occur in a medical office with six strangers looking on. This book is for anyone who's ever asked how to live in the face of suffering, and doesn't expect an easy answer. Standing in the Forest of Being Alive looks unflinchingly at painful realities, posing the question "What isn't hell?" and finds the answer in a powerful eros, letting a loved one pull laughter out of the narrator's reluctant mouth like a "redvioletcerulean handkerchief."
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    • Publisher's Weekly

      May 29, 2023
      This potent offering focuses on the parts of experience that “pull our lives taut.” Pushcart Prize winner Farris (boysgirls) was diagnosed with breast cancer at age 36 against the backdrop of a global pandemic and a national moment so divided and contentious that, as she observes, “Everyone is writing about a country/ as if a country existed.” Conveying how a large part of illness is the time in which, seemingly, nothing happens, she writes about sitting in waiting rooms and the stress of awaiting the results of a test or procedure: “Turn on the light at 2 am;/ the waiting stands, hand/ on your head./ A most maternal haunting.” In “Scheduling the Bone Scan,” she ponders, “The word ‘bone’ tolls in your ear,/ a bell. What tolls? The word, the bone?” In another, Farris realizes that pregnancy rhymes with mastectomy. Undergoing cancer treatment while her friends are having children offers its own painful parallels: “both of us harboring rapidly dividing cells, so near our hearts./ How’s that for art?” Farris finds refuge in the seasons and in the fragile natural world. Through its ruminative urgency and Farris’s keen observations, this collection puts the world into sharp and wondrous focus.

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  • English

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