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Palace of Flies

ebook
1 of 1 copy available
1 of 1 copy available

"One of those rare biographical novels that bring a whole world to life in a way that lingers in memory."
Jay Parini, author of Borges and Me

This absorbing, sensitive novel portrays a famed author in a moment of crisis: an aging Hugo von Hofmannsthal returns to a summer resort outside of Salzburg that he visited as a child. But in the spa town where he once thrilled to the joys of youth, he now feels unproductive and uninspired, adrift in the modern world born after World War One. Over ten days in 1924 in a ramshackle inn that has been renamed the Grand Hotel, Hofmannsthal fruitlessly attempts to complete a play he's long been wrestling with. The writer is plagued by feelings of loneliness and failure that echo in a buzz of inner monologues, imaginary conversations and nostalgic memories of relationships with glittering cultural figures. Palace of Flies conjures up an individual state of distress and disruption at a time of fundamental societal transformation that speaks eloquently to our own age.

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    • Publisher's Weekly

      March 28, 2022
      The elegant English-language debut from Austrian writer Kappacher explores mortality, change, and the creative life via an impressionistic depiction of real-life author and librettist Hugo von Hofmannsthal. In 1924, Hofmannsthal, 50, grieves the losses of WWI and the collapse of the Austrian empire. He travels to the Alpine village of Bad Fusch, where he spent childhood summers, hoping that its quiet isolation will cure his writer’s block. Instead, he’s paralyzed by loneliness and unease. The letters his wife forwards remind him of unmet commitments and broken relationships, while his walks around Fusch recall the lost days when he was a prolific poet. His new friendship with Sebastian Krakauer, the private physician of a baroness, offers moments of respite. Krakauer warns Hofmannsthal to take care of his heart problems, which cause dizziness and blackouts, but Hofmannsthal worries more about premature senility as past and present, real and unreal seem to merge. With sharp sketches of the vagaries of Hofmannsthal’s imagination—“sometimes this deceptive abundance, then a period of ebb”—Kappacher captures the protagonist’s fear that his capacity to create, like the world he loved, is lost. It’s a moving portrait.

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Languages

  • English

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