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Dear Diaspora

ebook
1 of 1 copy available
1 of 1 copy available
Outstanding Achievement Award in Poetry from the Association for Asian American Studies
New Mexico-Arizona Book Award Winner
Julie Suk Award Finalist
Dear Diaspora is an unapologetic reckoning with history, memory, and grief. Parting the weeds on a small American town, this collection sheds light on the intersections of girlhood and diaspora. The poems introduce us to Suzi: ripping her leg hairs out with duct tape, praying for ecstasy during Sunday mass, dreaming up a language for buried familial trauma and discovering that such a language may not exist. Through a collage of lyric, documentary, and epistolary poems, we follow Suzi as she untangles intergenerational grief and her father's disappearance while climbing trees to stare at the color green and wishing that she wore Lucy Liu's freckles.
Winner of the Raz/Shumaker Prairie Schooner Book Prize in Poetry, Dear Diaspora scrutinizes our turning away from the trauma of our past and our complicity in its erasure. Suzi, caught between enjoying a rundown American adolescence and living with the inheritances of war, attempts to unravel her own inherited grief as she explores the multiplicities of identity and selfhood against the backdrop of the Vietnamese diaspora. In its deliberate interweaving of voices, Dear Diaspora explores Suzi's journey while bringing to light other incarnations of the refugee experience.
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    • Publisher's Weekly

      Starred review from September 20, 2021
      The first poem of Nguyen's powerful debut asks: "At the center of your calamity, what grows?" That question serves as an entry point for poems that interweave grief, exodus, and girlhood. Through the character Suzi, the reader is faced with the complexity of reckoning with inherited grief. Suzi says, "missing someone... fills you with odd-shaped holes," and elsewhere, "worse than dying is disappearing." Throughout, Nguyen interrogates the American dream; in "Letter to the Diaspora," the phrase "I believe in the american dream" is crossed out. Later, she writes of America, "the dead remained dead." Her images ground the reader in distinctly American details, "SPAM fried with fish sauce"; "Lucy Liu's freckles"; "Vaseline kisses." Nguyen's poetry reveals a remarkable embrace of complexity while accounting for the difficulties of complicity, witness, and forgiveness. The final poem opens, "I am learning how to hold grief/ in my mouth." This powerful debut attests to that endeavor, and the way in which such work is necessary, beautiful, and full of complexity.

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