The Good Children

March 2, 1998
Seamless storytelling and believable characters caught in a bizarre, inescapable situation make this latest psychological thriller from three-time Nebula Award winner Wilhelm (Malice Prepense) taut and satisfying. "When you've got family, you don't need anything else," Lee McNair tells her children. After an industrial accident kills her husband, the distraught McNair makes the four children promise they'll never let strangers touch her when she dies. The children find themselves called on to honor that promise when McNair is killed in a freakish backyard accident. Afraid of disobeying their mother and equally afraid that they'll be sent away to foster homes, the children bury her in the backyard and are forced to lie to neighbors and pretend that she is still alive. Their attempts to keep up the ruse are eerily successful--except that the youngest of the children begins to lose his sanity. Eventually, the McNairs call the authorities to report their mother's sudden disappearance. The youngest child's troubles deepen and a new piece of information about their mother's accident threatens to break up their carefully unified front. A young society lawyer, charged with looking in on the "abandoned" McNair children, creates another kind of complication when he falls in love with the engaging teenage narrator (and third McNair), Liz. Wilhelm's spare, unsentimental style contributes nicely to the mood of this well-told gothic tale.